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Musical Pushkin

Musical Pushkin



Listening Between the Lines V
「音樂與文學對話」系列 V

(In Putonghua 普通話主講)

梅特納 〈歌者〉,選自《七首普希金之歌》
布列頓 〈夜鶯與玫瑰〉,選自《詩人的回響》
拉赫曼尼諾夫 〈別歌唱,我的美人〉
柴可夫斯基 連斯基的詠嘆調,選自《尤金‧奧涅金》(小提琴與鋼琴合奏版,奧爾編曲)
穆索斯基 〈鮑利斯‧郭多諾夫之死〉,選自《鮑利斯‧郭多諾夫》
柴可夫斯基 麗莎的詠嘆調(運河場景),選自《黑桃皇后》
拉赫曼尼諾夫 阿列科的短歌〈人們皆睡了〉,選自《阿列科》
林姆斯基‧高沙可夫 金雞幻想曲 (小提琴與鋼琴合奏版,津巴利斯特編曲)


MEDTNER ‘The Singer’ from Seven Poems after Pushkin, Op. 29 
BRITTEN ‘Nightingale and Rose’ from The Poet’s Echo
RACHMANINOV Sing not to me, beautiful maiden, Op. 4, No. 4 (Ne poy, krasavitsa, pri mne)
TCHAIKOVSKY Lensky’s Aria, from Eugene Onegin, Op. 24 (arr. L. Auer for violin and piano)
MUSSORGSKY ‘Death of Boris’ from Boris Godunov
TCHAIKOVSKY Lisa’s Aria (Canal Scene), from The Queen of Spades, Op. 68
RACHMANINOV Aleko’s Cavatina from Aleko (Ves’ tabar spit)
RIMSKY-KORSAKOV The Golden Cockerel (arr. E. Zimbalist for violin and piano)



Alexander Pushkin is considered by many to be the founder of modern Russian literature. With extraordinary imagination and talent, Pushkin penned countless poems, dramas, and novels that have continued to inspire many generations of readers, writers, as well as composers.

Divided into three sections, this lecture-recital will feature art songs, opera excerpts, and other musical works inspired by Pushkin’s poems, theatre works, and other writings. It will take us on a journey through epic political drama, melancholic love stories, and eerie fantasies. Join us on this one-of-a-kind musical tour of Russian literature!

House Programme


焦元溥 / 主講 Yuan-Pu Chiao, speaker
林慈音 / 女高音 Grace Lin, soprano
羅俊穎 / 男低音 Julian Lo, bass
李宜錦 / 小提琴 I-Ching Li, violin
許惠品 / 鋼琴 Vera Hui-Pin Hsu, piano


Grand Hall
Lee Shau Kee Lecture Centre
Centennial Campus
The University of Hong Kong


$20 (admin fee)

  • For ages 8+
  • Tickets at starting 19 Sep 2019

Photo Gallery

Pushkin 26Pushkin 8


  • Patrons under the age of 8 will not be admitted.
  • Approximately 2 hours without intermission
  • Guests are advised to arrive punctually.
  • No latecomers will be admitted until a suitable break in the programme.
  • Programmes and artists subject to change

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