Musical Pushkin

Listening Between the Lines V
「音樂與文學對話」系列 V

(In Putonghua 普通話主講)

梅特納 〈歌者〉，選自《七首普希金之歌》
布列頓 〈夜鶯與玫瑰〉，選自《詩人的回響》
拉赫曼尼諾夫 〈別歌唱，我的美人〉
柴可夫斯基 連斯基的詠嘆調，選自《尤金‧奧涅金》（小提琴與鋼琴合奏版，奧爾編曲）
穆索斯基 〈鮑利斯‧郭多諾夫之死〉，選自《鮑利斯‧郭多諾夫》
柴可夫斯基 麗莎的詠嘆調（運河場景），選自《黑桃皇后》
拉赫曼尼諾夫 阿列科的短歌〈人們皆睡了〉，選自《阿列科》
林姆斯基‧高沙可夫 金雞幻想曲 （小提琴與鋼琴合奏版，津巴利斯特編曲）

MEDTNER ‘The Singer’ from Seven Poems after Pushkin, Op. 29 
BRITTEN ‘Nightingale and Rose’ from The Poet’s Echo
RACHMANINOV Sing not to me, beautiful maiden, Op. 4, No. 4 (Ne poy, krasavitsa, pri mne)
TCHAIKOVSKY Lensky’s Aria, from Eugene Onegin, Op. 24 (arr. L. Auer for violin and piano)
MUSSORGSKY ‘Death of Boris’ from Boris Godunov
TCHAIKOVSKY Lisa’s Aria (Canal Scene), from The Queen of Spades, Op. 68
RACHMANINOV Aleko’s Cavatina from Aleko (Ves’ tabar spit)
RIMSKY-KORSAKOV The Golden Cockerel (arr. E. Zimbalist for violin and piano)

「從普希金起，才開始有了俄羅斯文學。」如此褒揚並非讚譽，而是事實。這位俄國大文豪不只廣泛吸取民間語言的精華，更融會浪漫主義與寫實的筆法，將書寫與口語完美結合，全面展現俄文的靈動美好。普希金寫下的不朽詩歌、戲劇與小說，更成為許多作曲家的靈感泉源。這場講座音樂會分成三部分，依次介紹以普希金詩作譜寫的藝術歌曲，由普希金劇作所改成的歌劇，以及根據普希金作品改編成的音樂作品。內容涵括政治史詩大戲、男女情愛糾葛與奇幻寓言故事，歡迎大家一起以音樂欣賞普希金，體會俄羅斯文學特有的色彩面貌。

Alexander Pushkin is considered by many to be the founder of modern Russian literature. With extraordinary imagination and talent, Pushkin penned countless poems, dramas, and novels that have continued to inspire many generations of readers, writers, as well as composers.

Divided into three sections, this lecture-recital will feature art songs, opera excerpts, and other musical works inspired by Pushkin’s poems, theatre works, and other writings. It will take us on a journey through epic political drama, melancholic love stories, and eerie fantasies. Join us on this one-of-a-kind musical tour of Russian literature!

焦元溥 / 主講 Yuan-Pu Chiao, speaker
林慈音 / 女高音 Grace Lin, soprano
羅俊穎 / 男低音 Julian Lo, bass
李宜錦 / 小提琴 I-Ching Li, violin
許惠品 / 鋼琴 Vera Hui-Pin Hsu, piano

• For ages 8+
• Tickets at art-mate.net starting 19 Sep 2019

• Patrons under the age of 8 will not be admitted.

• Approximately 2 hours without intermission
• Guests are advised to arrive punctually.
• No latecomers will be admitted until a suitable break in the programme.
• Programmes and artists subject to change